Palette Art Gallery showcases the platter of Dynamics and Dimensions

The drama of light and installation is just as important to a sculpture exhibition at Palette Art Gallery as the sculpture itself. Rahul Khanna and Rohit Gandhi are well-known show stoppers in both the worlds of contemporary art and fashion. 

The subject of 18 Dimensions is a medley of sculptors, including a few mid-career artists and recognized masters. As much as a spectrum of palettes that mirror materials, moorings, and molds in the language of sculptural idioms, dark walls beckon people to look at them. The evocations of five artists made them stand out. 

Subodh Gupta’s work- Unknown 

How may three sizable brass hands be used? Unknown by Subodh Gupta is a masterwork of language, metaphor, and imagery.

As he allows several containers to flow like liquid from the inner hollow of the handis that swing into vision the numerous dohas of Sant Kabirdas and his nirgun poetry, the three enormous handis become the source and the sea of receiving. Through the use of directing the language of his own isolation and his unmatched approach to sculpture design, Subodh retraces a slice of life that lingers on the numerous subtleties of the human spirit in Bhakti throughout the time of antiquity. The smaller containers that are dropping provide spectators a deeper understanding of the artist's brilliant creativity and his influence on the texture and luster of the steel and brass medium, which he uses to create a loop of talks that bring the past into the present.

 

Sumedh and Gigi’s stellar idioms 

The still life by Sumedh Rajendran is both about life and death. The upper torso and the skeletal hand both convey a sense of vitality, the living, and the impending presence of death. Sumedh produces a coda that is not culturally unique but rather universal by starting with form and substance that come from an everyday setting. This installation offers a globally relevant perspective on the relationship between man and his physical existence and the metaphysical, physical, and spiritual realms. 

Himmat’s head 

Himmat's Heads are a study of the historical sites; when we consider his heads as a culmination of compositional control, we may appreciate his profound awareness of dimension and dynamics. In terms of ideation, the angular aspects of the cranium act as a catalyst for combustion. We may envision how he got started by quickly creating geometric and symbolic little clay sculptures with his own hands. These skulls, which were cast in bronze, are tiny yet evocative sculptures in their own right. They maintain the first indications of Himmat's fervent imagination and distinctive creative process, which gave rise to some of the most quaint and odd sculptures in tone and timbre, along with modest monochrome moodiness in a copper-toned finish.

Vipul’s verve 

The sculptures made of white and black marble by Vipul Kumar are about the universe that may be found within the crevasses of cosmology and philosophical thought. The two sculptures made of white marble depict the ruins of the earth, the universe, and a suggestion of the deity's absence. They are a contemplative examination of the physical and figurative ramifications of human greed. Vipul has discovered neither place where he may find substance and significance as a result of his artistic experiments with stone.

 

Overall, this program is about various compositions and materials. Rahul Khanna and Rohit Gandhi, both establish themselves as collectors of knowledge and depth. As they commemorate 20 years, they make elegant and gastronomic choices and emphasize the value of expertise and experience. in the field of art. The enchantment of juxtaposing the conversational, cosmic, and ordinary when crafted by many brains into earthly artefacts that convey an interstellar awe is a major theme in 18 Dimensions.